Erica Moody : Dating tintypes
To identify the wet- plate negative, look for an uneven coating were the syrupy colloidal base of the glass plate did not flow to the very edges of the glass. Sizes range from one-sixth dating tintypes to full plate see appendix El. Sometimes a good guess is as close as you'll get to the answers. If a photo shows a baseball player in s uniform, it could not be an ambrotype or Daguerreotype.
About Erica Moody dating tintypes
Most family historians have THAT box. The box always looks roughly the same. Not long after I took up genealogy inI began inheriting boxes and bags like those, and they all had lots of photographs — old ones. The photographs from dating tintypes latter half of the 20th century are easiest to identify. Most times, I know the subject; if not, the bell-bottoms or dark wall paneling scream
I found this article on the Internet and thought that some of you who appreciate and maybe even have a few old photographs laying around in cardboard boxes or in desk drawers might like to read some tips on ways to try to put a date on when they might have been taken. The maps of the surveys showed where everything was; the wet- plate photographers showed precisely what was there. Mountain View, CA The case resembled a double frame. The photo image is on a silver clad copper sheet which is attached to a sheet of glass by a foil- like brass decorative frame.
They are stamped "Neff's Melainotype Pat 19 Feb 56" along one edge. Sizes range from one-sixth plate to full plate see appendix El. Many are found in gilt frames or in the leather or plastic thermomolded cases of the earlier ambro-types. After the paper holders are embossed rather than printed. Uncased tintypes have been found with cancelled tax stamps adhered to the backs. The stamps date these photographs to the period of the wartime retail tax, September 1, , to August.
Athletic body type
wants to date but nothing serious.
A tintypealso known as a melainotype or ferrotypeis a photograph made by creating a direct positive on a thin sheet of metal coated with a dark lacquer or enamel and used as the support for the photographic emulsion. Tintypes enjoyed their widest use during the s and s, but lesser use of the medium persisted into the early 20th century and it has been revived as a novelty in the 21st. Tintype portraits were at first usually made in a formal photographic studio, like daguerreotypes and other early types of photographs, but later they were most commonly dating tintypes by photographers working in booths or the open air at fairs and carnivalsas well as by itinerant sidewalk photographers. Because the lacquered iron support there is no actual tin used was resilient and did not need drying, a tintype could be developed and fixed and handed to the customer only a few minutes after the picture had been taken.
The tintype photograph saw more uses and captured a wider variety of settings and subjects than any other photographic type. It was introduced while the daguerreotype was still popular, though its primary competition would have been the ambrotype. The tintype saw the Civil War come and go, documenting the individual soldier and horrific battle scenes. It captured scenes from the Wild West, as it was easy to produce by itinerate photographers working out of covered wagons. It began losing artistic and commercial ground to higher quality albumen prints on paper in the mids, yet survived for well over another 40 years, living mostly as a carnival novelty.